From Tradition to Trend: How the Autogele Became a Global Fashion Staple (2020)

The Autogele, introduced by Nigerian fashion designer and beauty innovator Oluwafunmilola Rebecca Olurinola in 2015, represents a significant leap in the fusion of tradition and convenience within the African fashion space.
Gele, the traditional headwrap often associated with West African culture, has always been celebrated for its elegance and symbolism but criticized for the skill and time required to tie it properly.
The introduction of the Autogele, a pre-tied, ready-to-wear version of this iconic headgear, sought to bridge the gap between cultural pride and modern practicality.
As a fashion designer specializing in millinery, Olurinola’sexpertise in crafting headpieces allowed her to innovate this design with a seamless blend of tradition and modern style, making the Autogele both accessible and fashionable for today’s woman.
Nancy Wrap
The brilliance of the Autogele lies in its innovative adaptation of cultural norms to suit the fast-paced demands of modern life. Traditionally, tying a Gele is considered an art form, requiring both practice and patience. Each fold and twist symbolizes a rich cultural heritage and expresses individuality.
However, for many women, especially those living in fast-paced urban environments or in the diaspora, this art form, while beautiful, became an obstacle. The Autogele solves this by offering a pre-structured alternative, designed to look as elegant as a traditionally tied Gele, but with a simple fastening mechanism.
This innovation is commendable for several reasons. It retains the aesthetic and cultural significance of the Gele while democratizing its use.
Women who may not have the skill or time to tie a traditional Gele can now enjoy the beauty of this headgear without compromising on style.
Furthermore, the Autogele maintains a connection to tradition, using the same Aso-oke and other indigenous fabrics, thus keeping it grounded in cultural identity while making it accessible.
Beks Turban
While the Autogele has been praised for its ease of use, it has also faced criticism from purists who argue that it dilutes the art of Gele tying, an art that has been passed down through generations.
Tying a Gele is often seen as an essential cultural skill, one that is learned over time and signifies a deep connection to cultural heritage. By creating a pre-tied version, critics argue that the Autogele reduces the meaning and effort behind the tradition, turning it into a convenience product.
However, it can be argued that the Autogele does not replace traditional Gele tying but offers an alternative for those who wish to honor the tradition in a different way.

In a rapidly changing world where globalization and modernity influence daily life, such innovations are necessary to ensure that traditional garments remain relevant and continue to be worn by new generations. The Autogele introduces a hybrid approach, blending tradition with modern sensibilities.
Pleated Autogele
From a design perspective, the Autogele shines as an example of how fashion can evolve while staying true to its roots.
Olurinola ensured that the Autogele would not only look identical to a well-tied Gele but also offer a variety of styles, shapes, and sizes to suit different occasions.
Her creative vision incorporated the structural integrity of the traditional Gele while adding a convenience factor that enhances its wearability.
The ability to mass-produce these styles ensures that more women, regardless of their skill level, can partake in this important cultural practice.
However, some critics have noted that the rigidity of pre-tied styles limits individual expression. Unlike traditional Gele tying, where each creation can be adjusted, molded, and shaped to suit the wearer’s preferences, the Autogele offers only pre-set designs, limiting the customizability that many fashion-conscious women value.

This lack of flexibility may hinder its long-term appeal among those who prioritize unique, personalized fashion statements.
One of the most significant achievements of the Autogele has been its adoption beyond Nigerian borders. It has been worn in various high-profile events and celebrations, adding a global dimension to its influence.
The Autogele has become a favorite at weddings and traditional ceremonies, not just in Nigeria but also in other African countries and among the African diaspora.
For instance, it is a common sight at African cultural festivals, naming ceremonies, and birthday celebrations in the UK, US, and Canada, where its convenience has made it popular among women who want to maintain their cultural ties while living in fast-paced environments.
Iconic Autogele
Furthermore, the Autogele has made notable appearances on international fashion runways, such as the Heineken Lagos Fashion Design Week and Glitz Fashion Week in Ghana, where it has captivated audiences for its blend of tradition and modernity.
The headgear’s ability to straddle both cultural pride and contemporary fashion has been pivotal in its global appeal. Additionally, celebrities such as Temi Dollface and other high-profile figures have worn the Autogele at various events, further boosting its visibility and desirability .
The Autogele has not only reshaped the cultural landscape but has also had a profound commercial impact. By simplifying the wearing of a Gele, it has become more accessible to a global market, which has led to its production and sale by numerous retailers.
This accessibility has created economic opportunities for small businesses, particularly in Africa, where entrepreneurs are now mass-producing and selling Autogeles to a broad consumer base.
This new market has empowered many, providing job opportunities for those involved in production, retail, and marketing.
Moreover, the Autogele has also created opportunities for fashion designers and beauty professionals who now incorporate it into their work, expanding the reach of African fashion beyond the continent.
Three Stars
The Autogele by Oluwafunmilola Olurinola is a powerful example of how tradition can evolve to meet modern demands without losing its cultural essence.
While it has faced criticism for straying from the artistry of traditional Gele tying, its introduction has allowed more women to participate in a centuries-old practice, enhancing accessibility and cultural pride.
The balance between convenience and traditionremains at the heart of its critique, with its success resting on how future iterations can address the limitations of customization and flexibility.
As African fashion continues to gain momentum globally, innovations like the Autogele will be essential in preserving cultural practices while adapting them to fit a changing world. In this light, the Autogele stands as both a fashion-forward creation and a symbol of cultural resilience, proving that tradition and modernity can coexist beautifully.