Yeri’s “In the Mawnin” is Afro-Fusion at Its Finest

There’s a new name shaking the scene, and it’s time the world paid attention: Yeri. His latest single, “In the Mawnin,” isn’t just another Afrobeat banger — it’s a masterclass in Afro-fusion, the kind that feels like Burna Boy met J Hus in the studio and handed Yeri the aux.

From the opening chords, “In the Mawnin” oozes soul. The instrumental is a simmering blend of smoky horns, dusty percussion, and an unmistakable bounce that feels like Lagos by way of London. Yeri rides the beat effortlessly, crooning with a gritty, emotional tone reminiscent of Burna Boy at his most vulnerable — but then switches gears into J Hus-style slick talk and off-kilter swagger, turning the track into a personal manifesto.

Lyrically, Yeri walks that beautiful line between soulful and raw

“Early in the mawnin’ / Me I Dey find money.”

It’s that laid-back confidence wrapped in vulnerability — a rare combo that hits deeper the more you listen.

What makes this song stand out isn’t just the fusion of genres — it’s how natural it feels. Where others try to blend sounds, Yeri lives in the pocket. You can hear the cultural duality in his voice: the Afrobeats roots, the UK fusion inflections, the dancehall undertones. It’s not forced — it’s fluid.

This is Afro-fusion in its purest form: not just combining sounds for the sake of it, but building a new lane with real emotion, cultural weight, and undeniable replay value.

“In the Mawnin” isn’t just a song — it’s a signal. Yeri isn’t playing around. And if this is how he’s moving, then it’s game time!